嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈��
訊伽慕垂 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

the soul of the far east(垓叫議痩至)-及22何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��



as much a unit in its composition as a novel or a drama is with us。                       Such 

artistic   periods�察  �however�察  �are   anything   but   convenient。          In   their   nicely 

contrived      involution     they    strikingly    resemble      those   curious     nests   of 

Chinese boxes�察�where entire shells lie closely packed one within another�察�



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a   very   marvel   of   ingenious   and   perfectly  unnecessary   construction。   One 

must be antipodally comprehensive to entertain the idea�察�as it is�察�the idea 

entertains us。 

     On the same general plan�察�the nouns precede the verbs in the sentence�察�

and are in every way the more important parts of speech。 The consequence 

is that in ordinary conversation the verbs come so late in the day that they 

not infrequently get left out altogether。 For the Japanese are much given to 

docking   their   phrases�察  �a   custom   the   Germans   might   do   well   to   adopt。 

Now�察     �nouns    denote    facts�察  �while    verbs    express    action�察   �and   action�察   �as 

considered       in   human      speech�察   �is   mostly    of   human      origin。     In    this 

precedence accorded the impersonal element in language over the personal�察�

we     observe    again    the   comparative       importance      assigned     the  two。     In 

Japanese estimation�察�the first place belongs to nature�察�the second only to 

man。 

     As if to mark beyond a doubt the insignificance of the part man plays 

in   their   thought�察   �sentences      are  usually    subjectless。      Although      it  is  a 

common   practice   to   begin   a   phrase   with   the   central   word   of   the   idea�察�

isolated     from    what    follows    by   the   emphasizing       particle   ;wa;    ��which 

means      ;as   to�察─ �the   French    ;quant    a;���察  �the  word     thus   singled    out   for 

distinction   is   far   more   likely   to   be   the   object   of   the   sentence   than   its 

subject。     The habit is analogous to the use of our phrase ;speaking of�察─�

that is�察�simply an emphatic mode of introducing a fresh thought�察�only that 

with     them�察   �the   practice     being    the   rule   and    not    the   exception�察    �no 

correspondingly   abrupt   effect   is   produced   by   it。        Ousted   thus   from   the 

post of honor�察�the subject is not even permitted the second place。                     Indeed�察�

it   usually    fails  to  put   in  an   appearance      anywhere。       You     may    search 

through      sentence      after   sentence     without     meeting      with   the    slightest 

suggestion   of   such   a   thing。     When   so   unusual   an   anomaly   as   a   motive 

cause is directly adduced�察�it owes its mention�察�not to the fact of being the 

subject�察�but because for other reasons it happens to be the important word 

of   the thought。      The  truth   is�察 �the  Japanese   conception of   events is   only 

very  vaguely   subjective。         An   action   is   looked   upon   more   as   happening 

than as being performed�察�as impersonally rather than personally produced。 

The   idea   is   due�察  �however�察  �to   anything   but   philosophic   profundity。           It 



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springs     from     the   most    superficial    of   childish    conceptions。       For     the 

Japanese mind is quite the reverse of abstract。 Its consideration of things is 

concrete to a primitive degree。            The language reflects the fact。            The few 

abstract ideas these people now possess are not represented�察�for the most 

part�察   �by   pure    Japanese�察    �but   by   imported     Chinese      expressions。      The 

islanders got such general notions from their foreign education�察�and they 

imported idea and word at the same time。 

     Summing        up�察  �as   it  were�察  �in  propria    persona     the   impersonality      of 

Japanese      speech�察    �the   word    for   ;man�察─     �hito�察─  �is  identical    with�察   �and 

probably  originally  the   same   word   as   ;hito�察─  �the   numeral   ;one�察─  �a   noun 

and     a  numeral�察    �from     which     Aryan     languages     have    coined     the   only 

impersonal pronoun they possess。               On the one hand�察�we have the German 

;mann�察─�on the  other�察 �the  French   ;on;。             While   as   if  to   give  the  official 

seal   to   the   oneness   of   man   with   the   universe�察  �the   word   mono�察  �thing�察  �is 

applied�察�without the faintest implication of insult�察�to men。 

     Such�察�then�察�is the mould into which�察�as children�察�these people learn to 

cast their thought。        What an influence it must exert upon their subsequent 

views   of life   we   have but   to   ask of   our own   memories   to   know。           With 

each one of us�察�if we are to advance beyond the steps of the last generation�察�

there   comes   a   time   when   our growing   ideas   refuse   any  longer to   fit   the 

childish grooves in which we were taught to let them run。                     How great the 

wrench is when this supreme moment arrives we have all felt too keenly 

ever   to   forget。    We   hesitate�察  �we   delay�察  �to   abandon   the   beliefs   which�察�

dating from the dawn of our being�察�seem to us even as a part of our very 

selves。 From the religion of our mother to the birth of our boyish first love�察�

all   our   early   associations   send   down   roots   so   deep   that   long   after   our 

minds   have   outgrown   them   our   hearts   refuse   to   give   them   up。           Even 

when   reason       conquers     at   last�察  �sentiment   still   throbs   at  the   voids  they 

necessarily have left。 

     In   the   Far   East�察  �this   fondness   for   the   old   is   further   consecrated   by 

religion。     The worship of ancestors sets its seal upon the traditions of the 

past�察�to break which were impious as well as sad。                    The golden age�察�that 

time   when   each   man   himself   was   young�察  �has   lingered   on   in   the   lands 

where it is always morning�察�and where man has never passed to his prosaic 



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                                     The Soul of the Far East 



noon。      Befitting the place is the mind we find there。 As its language so 

clearly   shows�察  �it   still   is   in   that   early   impersonal   state   to   which   we   all 

awake first before we become aware of that something we later know so 

well as self。 

     Particularly   potent   with   these   people   is   their   language�察  �for   a   reason 

that    also   lends    it  additional     interest   to  us��because       it  is  their  own。 

Among the mass of foreign thought the Japanes
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��3�� 家��3��
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��