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訊伽慕垂 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

the soul of the far east(垓叫議痩至)-及23何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��



that    also   lends    it  additional     interest   to  us��because       it  is  their  own。 

Among the mass of foreign thought the Japanese imitativeness has caused 

the nation   to   adopt�察�here is one  thing   which   is indigenous。               Half   of   the 

present speech�察�it is true�察�is of Chinese importation�察�but conservatism has 

kept the other half pure。 From what it reveals we can see how each man 

starts   to´day   with   the   same   impersonal   outlook   upon   life   the   race   had 

reached centuries ago�察�and which it has since kept unchanged。                       The man's 

mind has done likewise。 



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            CHAPTER 5。 Nature and Art。 



     We have seen how impersonal is the form which Far Eastern thought 

assumes       when     it  crystallizes     into   words。      Let     us   turn   now     to   a 

consideration of the thoughts themselves before they are thus stereotyped 

for    transmission      to   others�察   �and   scan    them     as  they    find   expression 

unconsciously in the man's doings�察�or seek it consciously in his deeds。 

     To    the   Far   Oriental    there   is  one   subject    which    so   permeates     and 

pervades his whole being as to be to him�察�not so much a conscious matter 

of thought as an unconscious mode of thinking。                    For it is a thing which 

shapes      all  his  thoughts     instead    of   constituting     the   substance     of  one 

particular     set  of  them。     That    subject    is  art。  To   it  he  is  born   as  to  a 

birthright。      Artistic    perception      is  with   him    an   instinct    to  which     he 

intuitively     conforms�察    �and    for  which     he   inherits   the  skill   of  countless 

generations。       From the tips of his fingers to the tips of his toes�察�in whose 

use   he   is   surprisingly   proficient�察  �he   is   the   artist   all   over。 Admirable�察�

however�察�as is his manual dexterity�察�his mental altitude is still more to be 

admired�察  �for   it   is   artistic   to   perfection。 His   perception   of   beauty   is   as 

keen as his comprehension of the cosmos is crude�察�for while with science 

he   has   not   even   a   speaking   acquaintance�察 �with   art   he   is on   terms   of   the 

most affectionate intimacy。 

     To the whole Far Eastern world science is a stranger。                  Such nescience 

is patent even in matters seemingly scientific。                For although the Chinese 

civilization�察  �even      in  the   so´called   modern   inventions�察  �was   already   old 

while   ours   lay   still   in   the   cradle�察  �it   was   to   no   scientific   spirit   that   its 

discoveries      were    due。    Notwithstanding         the   fact  that   Cathay    was    the 

happy   possessor   of   gunpowder�察  �movable   type�察  �and   the   compass   before 

such things were dreamt of in Europe�察�she owed them to no knowledge of 

physics�察  �chemistry�察  �or   mechanics。         It   was   as   arts�察  �not   as   sciences�察  �they 

were invented。        And it speaks volumes for her civilization that she burnt 

her powder for fireworks�察�not for firearms。               To the West alone belongs the 

credit of manufacturing that article for the sake of killing people instead of 

merely killing time。 

     The scientific is not the Far Oriental point of view。                To wish to know 



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the reasons of things�察�that irrepressible yearning of the Western spirit�察�is no 

characteristic       of   the    Chinaman's        mind�察    �nor    is  it   a   Tartar    trait。 

Metaphysics�察  �a   species  of   speculation   that   has   usually  proved   peculiarly 

attractive to mankind�察�probably from its not requiring any scientific capital 

whatever�察  �would   seem  the   most   likely  place   to   seek   it。       But   upon   such 

matters he has expended no imagination of his own�察�having quietly taken 

on trust from India what he now professes。                  As for science proper�察�it has 

reached at his hands only the quasimorphologic stage�察�that is�察�it consists of 

catalogues   concocted   according   to   the   ingenuity   of   the   individual   and 

resembles   the   real   thing   about   as   much   as   a   haphazard   arrangement   of 

human bones might be expected to resemble a man。 Not only is the spirit 

of   the   subject    left  out  altogether�察    �but  the   mere    outward     semblance      is 

misleading。       For pseudo´scientific collections of facts which never rise to 

be classifications of phenomena forms to his idea the acme of erudition。 

His mathematics�察�for example�察�consists of a set of empiric rules�察�of which 

no explanation is ever vouchsafed the taught for the simple reason that it is 

quite unknown to the teacher。             It is not even easy to decide how much of 

what there is is Jesuitical。        Of more recent sciences he has still less notion�察�

particularly of the natural ones。           Physics�察�chemistry�察�geology�察�and the like 

are    matters    that  have    never    entered    his  head。     Even     in  studies    more 

immediately        connected      with   obvious     everyday     life�察 �such    as  language�察�

history�察�customs�察�it is truly remarkable how little he possesses the power of 

generalization   and   inference。         His   elaborate   lists   of   facts   are   imposing 

typographically�察�but are not even formally important�察�while his reasoning 

about     them   is   as  exquisite    a  bit   of  scientific   satire   as  could    well   be 

imagined。 

     But with the arts it is quite another matter。              While you will search in 

vain�察   �in  his   civilization�察   �for  explanations      of  even    the  most    simple     of 

nature's laws�察�you will meet at every turn with devices for the beautifying 

of   life�察  �which   may   stand   not   unworthily   beside   the   products   of   nature's 

own skill。      Whatever these people fashion�察�from the toy of an hour to the 

triumphs of all time�察�is touched by a taste unknown elsewhere。                       To stroll 

down   the   Broadway   of   Tokio   of   an        evening   is   a   liberal   education   in 

everyday art。       As you enter it there opens out in front of you a fairy´like 



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vista of illumination。 Two long lines of gayly lighted shops�察�stretching off 

into   the   distance�察  �look   out   across   two   equally   endless   rows   of   torch´lit 

booths�察�the decorous yellow gleam of the one contrasting strangely with 

the demoniacal red flare of the other。             This perspective of pleasur
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��3�� 家��3��
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
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