嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈��
訊伽慕垂 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

the soul of the far east(垓叫議痩至)-及26何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��



abstract     impersonality�察      �while    the   province      of  the    last  is  to   ridicule 

personality       generally。      Of    the   trio   the   first   is  altogether     the   most 

important。       Indeed�察�to a Far Oriental�察�so fundamental a part of himself is 

his love of Nature that before we view its mirrored image it will be well to 

look the emotion itself in the face。             The Far Oriental lives in a long day´ 

dream of beauty。          He   muses rather than   reasons�察�and all musing�察�so   the 

word   itself   confesses�察 �springs   from  the   inspiration   of   a   Muse。         But   this 

Muse appears not to him�察�as to the Greeks�察�after the fashion of a woman�察�



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nor even more prosaically after the likeness of a man。 Unnatural though it 

seem to us�察�his inspiration seeks no human symbol。                     His Muse is not kin 

to   mankind。      She   is   too   impersonal   for   any   personification�察  �for   she   is 

Nature。 

     That     poet    whose     name     carries   with    it  a  certain    presumption       of 

infallibility has told us that ;the proper study of mankind is man�察─�and if 

material advancement in consequence be any criterion of the fitness of a 

particular     mental     pursuit�察   �events    have    assuredly     justified    the   saying。 

Indeed�察�the Levant has helped antithetically to preach the same lesson�察�in 

showing us by its own fatal example that the improper study of mankind is 

woman�察�and that they who but follow the fair will inevitably degenerate。 

     The   Far   Oriental   knows   nothing   of   either   study�察  �and   cares   less。   The 

delight of self´exploration�察�or the possibly even greater delight of losing 

one's self in trying to fathom femininity�察�is a sensation equally foreign to 

his    temperament。        Neither      the   remarkable       persistence     of   one's   own 

characteristics�察  �not   infrequently   matter   of   deep   regret   to   their   possessor�察�

nor   the   charmingly   unaccountable   variability   of   the   fairer   sex�察  �at   times 

quite     as  annoying�察     �is  a   phenomenon        sufficient     to  stir  his   curiosity。 

Accepting�察�as he does�察�the existing state of things more as a material fact 

than as a phase in a gradual process of development�察�he regards humanity 

as but a small part of the great natural world�察�instead of considering it the 

crowning glory of the whole。             He recognizes man merely as a fraction of 

the universe��one might almost say as a vulgar fraction of it�察�considering 

the   low   regard   in   which   he   is   held��and   accords   him   his   proportionate 

share of attention�察�and no more。 

     In his thought�察�nature is not accessory to man。                 Worthy M。 Perichon�察�

of   prosaic�察  �not to   say  philistinic   fame�察 �had�察  �as   we   remember�察 �his   travels 

immortalized        in  a  painting    where     a  colossal    Perichon     in  front   almost 

completely   eclipsed   a   tiny   Mont   Blanc   behind。           A   Far   Oriental   thinks 

poetry�察�which may possibly account for the fact that in his mind´pictures 

the    relative   importance      of   man    and    mountain     stands    reversed。      ;The 

matchless Fuji�察─�first of motifs in his art�察�admits no pilgrim as its peer。 

     Nor is it to woman that turn his thoughts。                 Mother Earth is fairer�察�in 

his   eyes�察  �than   are   any   of   her   daughters。   To   her   is   given   the   heart   that 



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should   be   theirs。     The   Far   Eastern   love   of   Nature   amounts   almost   to   a 

passion。      To the study of her   ever varying moods her Japanese   admirer 

brings an impersonal adoration that combines oddly the aestheticism of a 

poet   with   the   asceticism   of   a   recluse。     Not   that   he   worships   in   secret�察�

however。       His     passion    is  too   genuine     either   to  find   disguise     or  seek 

display。     With us�察�unfortunately�察�the love of Nature is apt to be considered 

a   mental   extravagance   peculiar   to   poets�察  �excusable   in   exact   ratio   to   the 

ability to give it expression。          For an ordinary mortal to feel a fondness for 

Mother Earth is a kind of folly�察�to be carefully concealed from his fellows。 

A   sort   of   shamefacedness   prevents   him   from   avowing   it�察  �as   a   boy   at 

boarding´school   hides   his   homesickness�察  �or   a   lad   his   love。         He   shrinks 

from appearing less pachydermatous than the rest。 Or else he flies to the 

other   extreme�察  �and   affects   the   odd�察  �pretends�察  �poses�察  �parades�察  �and   at   last 

succeeds half in duping himself�察�half in deceiving other people。                       But with 

Far Orientals the case is different。             Their love has all the unostentatious 

assurance of what has received the sanction of public opinion。                         Nor is it 

still   at   that   doubtful�察  �hesitating   stage   when�察  �by   the   instrumentality   of   a 

third�察�its soul´harmony can suddenly be changed from the jubilant major 

key into the despairing minor。             No trace of sadness tinges his delight。 He 

has long since passed this melancholy phase of erotic misery�察�if so be that 

the course of his true love did not always run smooth�察�and is now well on 

in matrimonial bliss。          The very look of the land is enough to betray the 

fact。    In   Japan   the   landscape   has   an   air   of   domesticity   about   it�察  �patent 

even   to   the   most   casual   observer。   Wherever   the   Japanese   has   come   in 

contact with the country he has made her unmistakably his own。                           He has 

touched   her   to   caress�察�not   injure�察  �and   it   seems   as   if   Nature   accepted   his 

fondness   as   a   matter   of   course�察  �and   yielded   him  a   wifely  submission   in 

return。     His   garden   is   more   human�察  �even�察  �than   his   house。       Not   only   is 

everything       exquisitely     in   keeping     with   man�察    �but   natural    features    are 

actually   changed�察  �plastic   to   the   imprint   of   their   lord   and   master's   mind。 

Bushes�察�shrubs�察�trees�察�forget to follow their original intent�察�and grow as he 

wills them to�察�now expanding in wanton luxuriance�察�now contracting into 

dwarf designs of their former selves�察�all to obey his caprice and please his 

eye。     Even stubborn rocks lose their wildness�察�and come to seem a part of 



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the    almost     sentient    life   around     them。      If   the   d
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��3�� 家��3��
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��