嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈��
訊伽慕垂 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

stories by english authors in france(唾隈哂忽恬社議絞並)-及20何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��



feel at home as soon as I enter their houses。 

     The one great obstacle that I have to contend against in the practice of 

my   profession   is   not�察  �as   some   persons   may   imagine�察  �the   difficulty   of 

making      my    sitters  keep   their   heads   still  while   I  paint   them�察  �but   the 

difficulty of getting them to preserve the natural look and the every´ day 

peculiarities of dress and manner。 People will assume an expression�察�will 

brush   up   their   hair�察  �will   correct   any   little   characteristic   carelessness   in 

their apparelwill�察�in short�察�when they want to have their likenesses taken�察�

look as if they were sitting for their pictures。 If I paint them under these 

artificial circumstances�察�I fail�察�of course�察�to present them in their habitual 

aspect�察    �and    my    portrait�察   �as   a  necessary      consequence�察      �disappoints 

everybody�察�the sitter always included。 When we wish to judge of a man's 



                                                52 


´ Page 53´

                                           STORIES 



character   by   his   handwriting�察  �we   want   his   customary   scrawl   dashed   off 

with his common workaday pen�察�not his best small text traced laboriously 

with the finest procurable crow´quill point。 So it is with portrait´painting�察�

which is�察�after all�察�nothing but a right reading of the externals of character 

recognisably presented to the view of others。 

     Experience�察�after repeated trials�察�has proved to me that the only way of 

getting sitters who persist in assuming a set look to resume their habitual 

expression is to lead them into talking about some subject in which they 

are greatly interested。 If I can only beguile them into speaking earnestly�察�

no matter on what topic�察�I am sure of recovering their natural expression�察�

sure of seeing all the little precious every´ day peculiarities of the man or 

woman peep out�察�one after another�察�quite unawares。 The long maundering 

stories about nothing�察�the wearisome recitals of petty grievances�察�the local 

anecdotes   unrelieved   by   the   faintest   suspicion   of   anything   like   general 

interest�察   �which    I  have    been   condemned        to  hear�察  �as  a  consequence       of 

thawing      the   ice  off  the   features    of  formal    sitters  by   the   method     just 

described�察  �would   fill   hundreds   of   volumes   and   promote   the   repose   of 

thousands   of   readers。   On   the   other   hand�察  �if   I   have   suffered   under   the 

tediousness of the many�察�I have not been without my compensating gains 

from the wisdom and experience of the few。 To some of my sitters I have 

been indebted for information which has enlarged my mind�察�to some for 

advice   which   has   lightened   my   heart�察  �to   some   for   narratives   of   strange 

adventure   which   riveted   my   attention   at   the   time�察  �which   have   served   to 

interest and amuse my fireside circle for many years past�察�and which are 

now�察  �I   would   fain   hope�察  �destined   to   make   kind   friends   for   me   among   a 

wider audience than any that I have yet addressed。 

     Singularly enough�察 �almost all   the best stories that   I have   heard   from 

my sitters have been told by accident。 I only remember two cases in which 

a   story   was    volunteered      to  me�察   �and�察  �although     I  have   often   tried   the 

experiment�察�I cannot call to mind even a single instance in which leading 

questions   ��as   lawyers   call   them��   on   my   part�察  �addressed   to   a   sitter�察  �ever 

produced   any   result   worth   recording。   Over   and   over   again   I   have   been 

disastrously  successful   in   encouraging dull   people to   weary  me。  But   the 

clever people who have something interesting to say seem�察�so far as I have 



                                                 53 


´ Page 54´

                                          STORIES 



observed them�察�to acknowledge no other stimulant than chance。 For every 

story�察  �excepting   one�察  �I   have   been   indebted�察  �in   the   first   instance�察  �to   the 

capricious   influence   of   the   same   chance。   Something   my   sitter   has   seen 

about me�察�something I have remarked in my sitter�察�or in the room in which 

I take the likeness�察�or in the neighbourhood through which I pass on my 

way to work�察 �has suggested the   necessary association�察�or has started the 

right train of recollections�察�and then the story appeared to begin of its own 

accord。   Occasionally   the   most   casual   notice�察  �on   my   part�察  �of   some   very 

unpromising object has smoothed the way for the relation of a long and 

interesting narrative。 I first heard one of the most dramatic stories merely 

through     being    carelessly    inquisitive    to  know     the  history    of  a  stuffed 

poodle´dog。 

     It is thus not without reason that I lay some stress on the desirableness 

of   prefacing   the   following   narrative   by   a   brief   account   of   the   curious 

manner in which I became possessed of it。 As to my capacity for repeating 

the story correctly�察�I can answer for it that my memory may be trusted。 I 

may claim it   as a   merit�察�because   it is�察  �after all�察  �a mechanical one�察�that   I 

forget nothing�察�and that I can call long´ past conversations and events as 

readily to my recollection as if they had happened but a few weeks ago。 Of 

two things at least I feel tolerably certain before´hand�察�in meditating over 

its   contents�此  �first�察  �that   I   can   repeat   correctly   all   that   I   have   heard�察  �and�察�

secondly�察�that I have never missed anything worth hearing when my sitters 

were addressing me on an interesting subject。 Although I cannot take the 

lead in talking while I am engaged in painting�察�I can listen while others 

speak�察�and work all the better for it。 

     So   much   in   the   way  of   general   preface   to   the   pages   for   which   I   am 

about to ask the reader's attention。 Let me now advance to particulars�察�and 

describe how I came to hear the story。 I begin with it because it is the story 

that   I  have    oftenest   ;rehearsed�察─    �to   borrow    a  phrase    from    the   stage。 

Wherever I go�察�I am sooner or later sure to tell it。 Only last night I was 

persuaded into repeating it once more by the inhabitants of the farm´house 

in which I am now staying。 

     Not many years ago�察�on returning from a short holiday visit to a friend 

settled in Paris�察�I found professional letters awaiting me at my agent's in 



                                                54 


´ Page 55´

                                         STORIES 



London�察  �which   required   my   immediate   presence   in   Liverpool。   Without 

stopping     to  unpack�察    �I  proceeded     by  the   first  conveyance     to  my    new 

destination�察    �and�察   �calling   at  the   picture´dealer's     shop   where     portrait´ 

pai
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��2�� 家��3��
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��