嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈��
stories by english authors in france(唾隈哂忽恬社議絞並)-及20何蛍
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��
feel at home as soon as I enter their houses。
The one great obstacle that I have to contend against in the practice of
my profession is not�察 �as some persons may imagine�察 �the difficulty of
making my sitters keep their heads still while I paint them�察 �but the
difficulty of getting them to preserve the natural look and the every´ day
peculiarities of dress and manner。 People will assume an expression�察�will
brush up their hair�察 �will correct any little characteristic carelessness in
their apparelwill�察�in short�察�when they want to have their likenesses taken�察�
look as if they were sitting for their pictures。 If I paint them under these
artificial circumstances�察�I fail�察�of course�察�to present them in their habitual
aspect�察 �and my portrait�察 �as a necessary consequence�察 �disappoints
everybody�察�the sitter always included。 When we wish to judge of a man's
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character by his handwriting�察 �we want his customary scrawl dashed off
with his common workaday pen�察�not his best small text traced laboriously
with the finest procurable crow´quill point。 So it is with portrait´painting�察�
which is�察�after all�察�nothing but a right reading of the externals of character
recognisably presented to the view of others。
Experience�察�after repeated trials�察�has proved to me that the only way of
getting sitters who persist in assuming a set look to resume their habitual
expression is to lead them into talking about some subject in which they
are greatly interested。 If I can only beguile them into speaking earnestly�察�
no matter on what topic�察�I am sure of recovering their natural expression�察�
sure of seeing all the little precious every´ day peculiarities of the man or
woman peep out�察�one after another�察�quite unawares。 The long maundering
stories about nothing�察�the wearisome recitals of petty grievances�察�the local
anecdotes unrelieved by the faintest suspicion of anything like general
interest�察 �which I have been condemned to hear�察 �as a consequence of
thawing the ice off the features of formal sitters by the method just
described�察 �would fill hundreds of volumes and promote the repose of
thousands of readers。 On the other hand�察 �if I have suffered under the
tediousness of the many�察�I have not been without my compensating gains
from the wisdom and experience of the few。 To some of my sitters I have
been indebted for information which has enlarged my mind�察�to some for
advice which has lightened my heart�察 �to some for narratives of strange
adventure which riveted my attention at the time�察 �which have served to
interest and amuse my fireside circle for many years past�察�and which are
now�察 �I would fain hope�察 �destined to make kind friends for me among a
wider audience than any that I have yet addressed。
Singularly enough�察 �almost all the best stories that I have heard from
my sitters have been told by accident。 I only remember two cases in which
a story was volunteered to me�察 �and�察 �although I have often tried the
experiment�察�I cannot call to mind even a single instance in which leading
questions ��as lawyers call them�� on my part�察 �addressed to a sitter�察 �ever
produced any result worth recording。 Over and over again I have been
disastrously successful in encouraging dull people to weary me。 But the
clever people who have something interesting to say seem�察�so far as I have
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observed them�察�to acknowledge no other stimulant than chance。 For every
story�察 �excepting one�察 �I have been indebted�察 �in the first instance�察 �to the
capricious influence of the same chance。 Something my sitter has seen
about me�察�something I have remarked in my sitter�察�or in the room in which
I take the likeness�察�or in the neighbourhood through which I pass on my
way to work�察 �has suggested the necessary association�察�or has started the
right train of recollections�察�and then the story appeared to begin of its own
accord。 Occasionally the most casual notice�察 �on my part�察 �of some very
unpromising object has smoothed the way for the relation of a long and
interesting narrative。 I first heard one of the most dramatic stories merely
through being carelessly inquisitive to know the history of a stuffed
poodle´dog。
It is thus not without reason that I lay some stress on the desirableness
of prefacing the following narrative by a brief account of the curious
manner in which I became possessed of it。 As to my capacity for repeating
the story correctly�察�I can answer for it that my memory may be trusted。 I
may claim it as a merit�察�because it is�察 �after all�察 �a mechanical one�察�that I
forget nothing�察�and that I can call long´ past conversations and events as
readily to my recollection as if they had happened but a few weeks ago。 Of
two things at least I feel tolerably certain before´hand�察�in meditating over
its contents�此 �first�察 �that I can repeat correctly all that I have heard�察 �and�察�
secondly�察�that I have never missed anything worth hearing when my sitters
were addressing me on an interesting subject。 Although I cannot take the
lead in talking while I am engaged in painting�察�I can listen while others
speak�察�and work all the better for it。
So much in the way of general preface to the pages for which I am
about to ask the reader's attention。 Let me now advance to particulars�察�and
describe how I came to hear the story。 I begin with it because it is the story
that I have oftenest ;rehearsed�察─ �to borrow a phrase from the stage。
Wherever I go�察�I am sooner or later sure to tell it。 Only last night I was
persuaded into repeating it once more by the inhabitants of the farm´house
in which I am now staying。
Not many years ago�察�on returning from a short holiday visit to a friend
settled in Paris�察�I found professional letters awaiting me at my agent's in
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London�察 �which required my immediate presence in Liverpool。 Without
stopping to unpack�察 �I proceeded by the first conveyance to my new
destination�察 �and�察 �calling at the picture´dealer's shop where portrait´
pai
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
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