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訊伽慕垂 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

stories by english authors in france(唾隈哂忽恬社議絞並)-及29何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��



darkness of the night。 



     Just as   Mr。 Faulkner  pronounced   these words he started in his   chair�察�

and resumed his stiff�察�dignified position in a great hurry。 ;Bless my soul� ─�

cried he�察�with a comic look of astonishment and vexation�察 �while I have 

been telling   you   what is the   real   secret of   my interest in the   sketch   you 

have so kindly given to me�察�I have altogether forgotten that I came here to 

sit for my portrait。 For the last hour or more I must have been the worst 

model you ever had to draw from� ─�

     ;On the contrary�察�you have been the best�察─�said I。 ;I have been trying 

to    catch    your    likeness�察   �and�察  �while     telling   your    story�察  �you    have 

unconsciously   shown   me   the   natural   expression   I   wanted   to   insure   my 

success。; 



                           NOTE BY MRS。 KERBY 



     I cannot let this story end without mentioning what the chance saying 

was which caused it to be told at the farmhouse the other night。 Our friend 

the young sailor�察�among his other quaint objections to sleeping on shore�察�

declared that he particularly hated four´post beds�察�because he never slept 

in one without doubting whether the top might not come down in the night 

and   suffocate   him。   I   thought   this   chance   reference   to   the   distinguishing 

feature   of   William's   narrative   curious   enough�察  �and   my   husband   agreed 

with me。 But he says it is scarcely worth while to mention such a trifle in 

anything so important as a book。 I cannot venture�察�after this�察�to do more 

than   slip   these   lines   in   modestly   at   the   end   of   the   story。   If   the   printer 

should notice my few last words�察�perhaps he may not mind the trouble of 



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putting them into some out´of´ the´way corner�察�in very small type。 

     L。 K。 



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              MICHEL LORIO'S CROSS 



                                 BY HESBA STRETTON 



     In the southwest point of Normandy�察�separated from Brittany only by a 

narrow   and   straight   river�察  �like   the   formal   canals   of   Holland�察  �stands   the 

curious granite rock which is called Mont St。 Michel。 It is an isolated peak�察�

rising   abruptly   out   of   a   vast   plain   of   sand   to   the   height   of   nearly   four 

hundred   feet�察  �and   so   precipitous   toward   the   west   that   scarcely   a   root   of 

grass finds soil enough in its weather´beaten clefts。 At the very summit is 

built that wonderful church�察�the rich architecture and flying buttresses of 

which   strike   the   eye   leagues   and   leagues   away�察  �either   on   the   sea   or   the 

mainland。   Below   the   church�察  �and   supporting   it   by   a   solid   masonry�察  �is   a 

vast pile formerly a fortress�察�castle�察�and prison�察�with caverns and dungeons 

hewn   out   of   the   living   rock�察  �and   vaulted   halls   and   solemn   crypts�察  �all 

desolate and solitary now�察�except when a party of pilgrims or tourists pass 

through   them�察  �ushered   by   a   guide。   Still   lower   down   the   rock�察  �along   its 

eastern and southern face�察�there winds a dark and narrow street�察�with odd�察�

antique houses on either side。 The only conveyance that can pass along it 

is   the  water´cart     which    supplies    the  town    with    fresh   water   from    the 

mainland。 The whole place is guarded by a strong and high rampart�察�with 

bastions   and   battlemented   walls�察  �and   the   only   entrance   is   through   three 

gateways�察�one immediately behind the other�察�with a small court between。 

The second of these strong gateways is protected by two old cannon�察�taken 

from     the    English    in   1423�察   �and    still  pointed     out   to   visitors   with 

inextinguishable pride by the natives of Mont。 St。 Michel。 

     A great plain of sand stretches around the Mont for miles every way 

of sand or sea�察�for the water covers it at flood´tides�察�beating up against the 

foot of the granite rocks and the granite walls of the ramparts。 But at neap 

tides and /eaux mortes/�察�as the French say�察�there is nothing but a desert of 

brown�察  �bare   sand�察  �with   ripple´marks   lying   across   it�察  �and   with   shallow�察�

ankle´deep pools of salt water here and there。 Afar off on the western sky´ 

line a silver fringe of foam�察�glistening in the sunshine�察�marks the distant 

boundary      to  which     the  sea   has   retreated。   On   every   other    side   of  the 



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horizon rises a belt of low cliffs�察�bending into a semicircle�察�with sweeping 

outlines of curves miles in length�察�drawn distinctly against the clear sky。 

     The only way to approach the Mont is across the sands。 Each time the 

tide recedes a fresh track must be made�察�like the track along snowy roads�察�

and every traveller�察�whether on foot or in carriage�察�must direct his steps by 

this   scarcely   beaten   path。   Now   and   then   he   passes   a   high�察  �strong   post�察�

placed   where   there   is   any   dangerous   spot   upon   the   plain�察  �for   there   are 

perilous quicksands�察�imperceptible to any eye�察�lurking in sullen and patient 

treachery      for   any    unwary     footstep。    The    river    itself�察 �which     creeps 

sluggishly in a straight black line across the  brown desert�察�has its   banks 

marked out by rows of these high stakes�察�with a bush of leafless twigs at 

the top of each。 A dreary�察�desolate�察�and barren scene it is�察�with no life in it 

except the isolated life upon the Mont。 

     This little family of human beings�察�separated from the great tide of life 

like one of the shallow pools which the ebbing sea has left upon its sands�察�

numbers scarcely a hundred and a half。 The men are fishers�察�for there is no 

other   occupation   to   be   followed   on   the   sterile   rock。   Every   day   also   the 

level sweep of sands is wandered over by the women and children�察�who 

seek for cockles in the little pools�察�the babble of whose voices echoes far 

through the quiet air�察�and whose shadows fall long and unbroken on the 

brown wilderness。 Now and then the black´robed figure of a priest�察�or of 

one of the brothers dwelling in the monument on the top of the rock�察�may 

be    seen   slowly    pacing     along    the  same     dead   level�察  �and    skirting   the 

quicksands   where   the   warning   posts   are   erected。   In   the   summer   months 

bands of pilgrims are also to be seen marching in a long file like travellers 

across the desert�察�but in winter these visits cease almost wholly�察�and the 

inhabitants of the Mont are left to themselves。 

     Having so little intercourse with the outer world�察�and liv
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